With the new iPad Pro finally available and the first reviews pouring in on several tech blogs, let digitalEPIGRAPHY give you a quick roundup of their initial impressions and especially what creative professionals think of Apple’s new tablets.
Krisztián Vértes
Read moreWith Procreate being our most important software used for digital penciling in the field, digitalEPIGRAPHY has been keeping an eye on Savage Interactive’s development, awaiting anxiously for their annual update.
Krisztián Vértes
Read moreWe at digitalEPIGRAPHY have been enjoying using Procreate since purchasing the first iPad Pro and the Apple Pencil back in 2015. Three years have passed, and we can still say it with a lot of confidence...
Krisztián Vértes
Read moreProcreate is a multi-award winning painting app designed for creative professionals. Made exclusively for iPad, Procreate allows you to create beautiful sketches, inspiring paintings, and stunning illustrations wherever you are.
Krisztián Vértes
Read moreProcreate lets the artist paint in high resolution using customized brushes in a multilayered environment. It has a simple user interface, with most of the settings and options tucked away in hidden menus, keeping the canvas uncluttered. On initial opening of the App, the user is presented with a series of sample artwork made in Procreate
Krisztián Vértes
Read moreOnce the artist creates the highest resolution background that is still usable in Procreate, all the layers can be merged and the file can be saved as a regular jpeg, keeping its quality at its maximum.
Krisztián Vértes
Read moreAs a final preparatory step to ready the digitally penciled drawing for studio work, the artist needs to readjust the scale of the drawing to match its original dimensions. Since downscaling was a temporary necessity, required only to match the iPad’s and Procreate’s current limitations, we need to upscale our layered psd file to the same pixel resolution as it first appeared on our Template.
Krisztián Vértes
Read moreDStretch – a well-known and widely used piece of software – is an ImageJ plugin written by Jon Harman to enhance rock art images invisible to the naked eye. To be able to use DStretch on your computer...
Krisztián Vértes
Read moreIn the following entry we’d like to show you how to take advantage of your tablet’s camera during digital ”penciling”, as we all know that the best camera is the one that is with you.
Krisztián Vértes
Read moreBeing able to do quick editing at the wall can be rewarding at times. We’d like to show you how to make precise selections and interact with the selected elements in Procreate.
Krisztián Vértes
Read moreLast year digitalEPIGRAPHY presented our first digital collation project. Since that time, we have continued to develop and refine our system so that it is more functional for the artists and epigraphers and takes full advantage...
Ariel W. Singer
Read moreAfter our preliminary study was completed, we set out to fully document the preserved decoration in the tomb of Djehutihotep. With originally more than 250 m² of painted surface and a high degree of detail in the decoration, this poses quite a challenge.
Toon Sykora
Read moreEpigraphic drawing to document the ceiling of the bark shrine on behalf of the Epigraphic Survey were begun in the Spring of 2019. The ceiling would be documented using the Chicago House method and all digital technology, including the photography and initial “pencil” drawings on site.
Dominique Navarro
Read moreThe digital epigraphic record in Djehuty’s chapel comprises five phases: photographic documentation, in situ preliminary drawing, initial inking, collation, and final inking. This procedure ensures that the record is faithful and, in addition, that it reflects the artistic spirit that was embedded in the original work.
Méndez-Rodríguez and Ruiz Sánchez de León
Read moreFollowers of digitalEPIGRAPHY know by now that Procreate is our official app of choice when it comes to working on the iPad. It is a multi-award-winning painting app that allows artists to paint in high resolution using customized brushes in a multilayered environment.
Précis and commentary by Júlia Schmied
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