The Swiss archaeological mission "MISR: Mission Siptah-Ramses X." excavated the tombs of Siptah (KV 47) and Ramses X (KV 18) and their immediate surrounding areas between 1998 and 2005.
When transferring the Epigraphic Survey’s documentation procedure from traditional ink drawings to digitally “inked” pixel art, one aspect seemed to be of high priority from the get-go: owning the largest possible screen for studio work. Each epigraphic assignment has preferences regarding the applied method and the workflow utilized to get the desired results.
The review of XP-PEN's 2nd Generation Artist 12 pen display is aimed at those colleagues not wanting to learn new tricks regarding pen performance (i.e., don't want to use an iPad for digital inking) but instead looking for an affordable and versatile mobile extension of their established studio drawing practices.
The Q620M is one of the many screenless pen tablets Huion currently sells, and not the cheapest option at that. Naturally, the unique perks of having a multifunctional knob and a selection of shortcut keys require an extra investment above the average pen tablet. Nonetheless, it could provide one of the best inking solutions for artists on the budget.
Franck Monnier and Paul François began the digital reconstruction of the palace of Amenhotep III at Malqata in 2016, as part of a collaboration with the Ancient Egyptian Heritage and Archaeological Fund. They used digital technologies and 3D software to recreate the columned hall and the throne room of the King’s Palace.
The well-established drawing tablet maker, Huion, recently launched a new pen tablet and keyboard combo, called the Inspiron KeyDial K200. With its innovative design, it is made for artists who are not particularly attracted to pen displays and don’t want to shell out extra money for a shortcut remote.
When in 2009 the author was entrusted with the mission of producing a catalogue of the coffin sets of the so-called "Eighth Lot of Antiquities" from Bab el-Gasus (Sousa 2017), he could hardly imagine that this would be a turning moment of his life as a researcher.
Dr. Caroline Louise Ransom Williams (1872-1952) was the first professionally trained woman Egyptologist in America. Mentored by Breasted who was only seven years her senior, their relationship would evolve from teacher and pupil to the greatest of colleagues with a friendship that would last until his death.
There is always the lingering question when working with the complex interface elements of Photoshop: could it be used more efficiently, or does one always have to poke around for every slight adjustment to be made?!
In the second entry of our Evolution of Epigraphy series, we go back to the rediscovery of Egypt following the Napoleonic Wars, when epigraphic methods were yet to be conceived and early scholars could rely only on their observation skills and artistic talents to convey the magnificence of the ancient monuments.
Started with the first epigraphical efforts in Egypt, it has been a natural desire to capture this attribute when represented on a sheet of paper with only two aspects: length and breadth. In the next installment of this series, we'll put relief representation under the microscope.
This article will look at preliminary work adapting for-print 2D data for online 3D presentation and reflect on questions of how, when, and where these technologies can be used, and how such technologies intersect with the needs, aims, and ethos of the Chicago House approach.
The three-part article reflects on how Breasted came to establish the Epigraphic Survey and the Chicago House Method, utilizing new technologies to make epigraphic work possible, and setting the standard for the digital work of today.
The digital epigraphic record in Djehuty’s chapel comprises five phases: photographic documentation, in situ preliminary drawing, initial inking, collation, and final inking. This procedure ensures that the record is faithful and, in addition, that it reflects the artistic spirit that was embedded in the original work.
With Apple offering their own mirroring solution baked right into their operating system, Astro HQ decided to extend their portfolio beyond the Mac. In the past twelve months, the developers put a lot of effort into bringing their tech to PC users' doorsteps.
The Museo Egizio in Turin is home to many famous pieces of ancient Egyptian art. Less known is that the collection also contains roughly 9000 fragments and approximately 230 larger ensembles of New Kingdom hieratic papyri from Deir el-Medina, many of them unpublished.
A Spanish archaeological mission coordinated by the Spanish National Research Council has been working at the hill of Dra Abu el-Naga North since January 2002. The mission, also known as the ‘Djehuty Project’, has recently turned its attention towards its epigraphic process's digital overhaul.
In the fall of 2007, when I began working at Chicago House, there were several hundred unregistered loose fragments scattered about the Medinet Habu temple precinct, some of them inscribed and lying face down on the ground, already showing advanced signs of deterioration caused by groundwater and salt.
It might seem unrelated to digital documentation, but digitalEPIGRAPHY would like to draw your attention to a device that has an impact not on your epigraphic product but on the way it is created.
In this new tutorial of the Survey's "Tidbits…" series, digitalEPIGRAPHY would like to focus on one of the focal points in rendering raised and sunken relief, namely sun-shadow transitions.
With our brand-new collections, digitalEPIGRAPHY would like to test the water to find out how we can support your research. What we've been working on for some time now is two visual databases, directly accessible and searchable through the website, implemented within the Complementary Material section.
The Harvard University – Museum of Fine Arts, Boston Expedition at the Old Kingdom site of Giza has uncovered significant material from later periods of Ancient Egyptian history, including fragments of a “rishi” type coffin now preserved in the Museum of Fine Arts, Boston.
In the following tutorial, we'd like to show you the main differences between several options to disintegrate certain types of pixels, while explaining how to "detach" a scanned line drawing from its background.
Epigraphic drawing to document the ceiling of the bark shrine on behalf of the Epigraphic Survey were begun in the Spring of 2019. The ceiling would be documented using the Chicago House method and all digital technology, including the photography and initial “pencil” drawings on site.
With the rise of photogrammetry in digital epigraphy, so has the ability to produce quality, to-scale photographs without expensive field equipment. Although lighting is, has been, and always will be, a major factor in the quality of said photographs.
Until a couple of days ago I had rather conflicting feelings about Adonit’s latest iPad stylus, the appropriately named Note-M. The “M” moniker is supposed to stand for mouse, and indeed, the novelty here is the combining of a computer mouse with an iPad stylus.
Recently, XP-PEN released its largest tablet to date, the brand-new Artist Pro 24, which tackles many of the issues large screens propose. It does so in such a convincing manner that it makes me wonder...
It’s been a while since we last gave you a status report on Adobe’s creative suit adapted to mobile devices. So, before we turn towards Illustrator for iPad...
We at digitalEPIGRAPHY are in a fortunate situation. Since the Epigraphic Survey started experimenting with utilizing digital tools in their documentation process...
Last year digitalEPIGRAPHY presented our first digital collation project. Since that time, we have continued to develop and refine our system so that it is more functional for the artists and epigraphers and takes full advantage...
In the past two years, we've been expanding our scope, tirelessly adding new content upon what was available in the original Manual, opening new frontiers of interest, and taking the art of digital documentation in unexpected and exciting new directions.
Followers of digitalEPIGRAPHY know by now that Procreate is our official app of choice when it comes to working on the iPad. It is a multi-award-winning painting app that allows artists to paint in high resolution using customized brushes in a multilayered environment.
The two-day workshop, held at The American University in Cairo between 22-24 March 2019, was organized by Salima Ikram, Distinguished University Professor of Egyptology at the AUC. Our goal with this short course was to introduce AUC students to the hardware and software solutions utilized by the Epigraphic Survey...
Any kind of visual interpretation, either being a color rendering of a wall painting or a modeled three-dimensional view of an object, must be tailored to the audience and to the purpose of the actual drawing, whatever the range of technological aids available at the moment.
The Warp Transform Tool has been part of Photoshop for a long time, and it had remained mostly unchanged since its introduction until last year, when Adobe updated its Creative Cloud software suite for 2020.
One of the cornerstones of tablet usability in epigraphic work (or in any drawing-related activity, for that matter ) is how well we get accustomed to using a stylus on glass surfaces. If you’ve ever traced a pattern on a light table or by holding it against a window glass, you already know how alien glass can be in comparison with traditional media.
Beginning in 2001, the Spanish National Research Council (CSIC) in Madrid carried out a study of the stelae from Deir el-Medina collected at the Egyptian Museum of Cairo. The project was directed by Dr. José M. Galán in collaboration with the late Aadel Mahmoud, the then-curator of the Egyptian Museum.
The Epigraphic Survey’s digital inking method involves a set of ink brushes, attributed with certain pixel brush widths. With many recent changes and additions altering brush behavior in Photoshop CC, digitalEPIGRAPHY takes a look at the prospect of updating the Survey’s official ink brushes.
The article surveys a number of new methodologies and applications of photogrammetry in Egyptology and Virtual Heritage in general. First, it presents methods for photorealistic rendering of virtual objects...
We’d like to showcase a project that used laser technology to remove dirt and soot from the fragile wall paintings of an ancient Egyptian tomb – a technology that may become a tremendous aid in the future of epigraphy.
After our preliminary study was completed, we set out to fully document the preserved decoration in the tomb of Djehutihotep. With originally more than 250 m² of painted surface and a high degree of detail in the decoration, this poses quite a challenge.
Since the inception of photography, Egypt and its monuments have found themselves the subject of countless photographers, not to mention millions upon millions of tourists. The photogrammetric processes used to generate 3D datasets...
Some of our Egyptological work at Harvard centers around 3D modeling as a research and teaching tool, digital epigraphy, graphic design and book production. Our Giza Project at Harvard, now in its twentieth year...
In 2014, the Mut Precinct in South Karnak reopened its gates to the public after being closed for almost 40 years. The reopening was the result of the work of the Brooklyn Museum’s expedition to the Mut Precinct...
With the just released Wacom One, digitalEPIGRAPHY revisits and compares Wacom's budget options to see if the new Cintiqs can be competitive enough in the well-established low-cost drawing display market.
In 2006, Dr. Ray Johnson, the director of the Epigraphic Survey in Luxor, contributed to the Amenmesse Project/KV 10⎼KV 63 by lending me and my artistic skills to draw the coffins found by Dr. Otto Schaden † and his team in the Valley of the Kings.
This time, we would like to introduce a long planned new series here at digitalEPIGRAPHY’s Reading section that concentrates on recording archaeological artifacts.
If you are looking for a more professional drawing experience on the iPad, but don't want to spend a lot on the Apple Pencil, Adonit’s new $69.99 stylus, called Adonit Note+ could very well be your best option.
Anybody who reads digitalEPIGRAPHY on a regular basis probably knows by now, how fond we are of Astro’s solution, that transforms the iPad into a makeshift Wacom tablet via a little dongle, called Luna Display.
After yet another successful Kickstarter campaign, creator Jan Sapper and his team are back with the refined version of their original matte iPad screen protector, especially designed for artists
Within the Medinet Habu Temple complex in Thebes, just north of the Small Temple and near the Sacred Lake, is an unassuming monument standing alone among the remaining rubble of an ancient mudbrick wall.
With Procreate being our most important software used for digital penciling in the field, digitalEPIGRAPHY has been keeping an eye on Savage Interactive’s development, awaiting anxiously for their annual update.
In the 2018-19 season at the Epigraphic Survey we began to seriously experiment with the idea of creating 3D photogrammetric models for the blocks of the Western High Gate at Medinet Habu Temple.
Being able to do quick editing at the wall can be rewarding at times. We’d like to show you how to make precise selections and interact with the selected elements in Procreate.
The new XP-Pen Artist 15.6 Pro, with its especially low pricing (only available through the Holidays!), can be worthy of anyone's attention looking for their next studio device.
The Free University Berlin, in cooperation with the German Archaeological Institute Cairo (DAI), has been exploring the royal necropolis of Dahshur since 2000.
In the past year or so, Adobe has been unusually active adopting its desktop software to Apple’s tablet. Their next mobile app with desktop-class ambitions is none other than Adobe Illustrator.
Due to centuries of decay and abuse of the monuments, there is one apparent feature that stands out immediately when we look at tomb or temple walls today: the tremendous amount of loss of the original surface.
More than a year after Adobe's announcement, Adobe Photoshop for the iPad is finally available as a free download through Apple’s App Store. We’d like to share our first impressions getting around the interface and working with the mobile version.
The next entry to Reading section’s series dedicated to creating digital art is a comprehensive guide to the basics of digital painting in Photoshop.
I can’t believe that digitalEPIGRAPHY has already been around for a little over a year! Thinking back on the past 12 months, there are two conflicting feelings that come to mind...
Nina and Norman de Garis Davies were two of the most influential artists/epigraphers devoted to recording Egyptian wall paintings in the first half of the Twentieth century.
Fresco, Adobe’s next generation drawing and painting tool, recently launched on iPad, promising a creative experience with unprecedented level of faithfulness to traditional oil and watercolor paints.
Either drawing in the field at the monuments or inking in the studio, creating steady lines and smooth curves requires a large drawing surface with lots of elbow room.
When we look at ancient Egyptian monuments, color is to be found everywhere. Documenting either tombs, temples or the smallest painted graffito, we must provide a reasonable solution for recording the painted remains of the surface.
First discovered in the 19th century, the tomb of Pay and Raia was excavated and recorded by the joint EES/National Museum of Antiquities, Leiden, expedition between 1994 and 1998.
To appreciate some of the attributes digitalEPIGRAPHY represents at its core, we would like to introduce a one of a kind epigraphic project focusing on the facsimile representation of the wall paintings in TT 65.
This richly illustrated work by Regina Hölzl is dedicated to the mastaba of the royal official Kaninisut: its discovery, the purchase of the tomb’s cult chamber for the museum where it is to be visited today, and its relief decoration.
As much as we like drawing on our iPad, its slippery glass surface has always been a major disadvantage, especially in comparison with Wacom’s etched glass Cintiq drawing displays.
In the following article, we shall continue exploring new ways of enhancing our traditional documentation techniques in a meaningful way, this time mostly concentrating on the artist’s work in the studio.
Clicking our way through the many options/tools used in the studio can be rather cumbersome, especially without knowing the right shortcuts and finding an optimal way to execute these commands.
In the 1980s, the Egypt Exploration Society's expedition to Amarna discovered a well-preserved private chapel at the Workmen's Village and the largest that had been built there.
After launching the $649 Cintiq 16 earlier this year, Wacom just announced a larger version of its entry-level tablet called Wacom Cintiq 22 aimed for creatives on a budget.
Back in Spring, we introduced a new series, which would include some of our favorite books regarding the techniques and methods used in creating digital art. Our next entry is Carlyn Beccia’s manual, a practical guide to digital painting with Adobe Photoshop and Corel Painter.
With the public betas of both macOS Catalina and iPadOS finally available for testing, digitalEPIGRAPHY went ahead and tried out Sidecar, Apple's intriguing new feature, to see if it’s ready to take on our beloved Astropad Studio.
Photoshop CC isn’t going to be the only attraction coming to the iPad this year. Being developed under the code name “Project Gemini”, Adobe’s other upcoming creative app has a proper release title – Adobe Fresco.
In 1995, the Royal Ontario Museum initiated its Theban Tomb Project with Lyla Pinch-Brock and ROM Assistant Curator Roberta Shaw as co-directors recreating the facsimile technique used by Nina de Garis Davis.
A new feature in macOS Catalina, called Sidecar, will let an iPad act as a second display for the Mac. The Mac can be paired with iPads wired or wirelessly, and will have Apple Pencil support when using the new feature.
In this new series of tutorials, digitalEPIGRAPHY would like to draw your attention to the importance of stylistic accuracy in epigraphic documentation by focusing on the representation of a common feature, the human ear.
One of the challenges of epigraphic work consists of essentially converting three-dimensional artwork into a two-dimensional representation on paper (or on-screen). This note summarizes an experiment in solving one aspect of this conversion problem.
Early in his career, from 1894 to 1899, Howard Carter worked with Édouard Naville at Deir el-Bahari, where he recorded the wall reliefs in the temple of Hatshepsut.
It has been a while since Adobe announced at last year’s Adobe Max conference that it would be bringing the full Photoshop experience to the iPad sometime in 2019.
Commencing in 1933, a four-volume series entitled The Temple of King Sethos I at Abydos, edited by Alan H. Gardiner, was published jointly by the Egypt Exploration Society and the University of Chicago
Starting in 2017 a team of KU Leuven (Belgium) has initiated a new epigraphic recording of the Middle Kingdom tomb of Djehutihotep at Dayr al-Barsha in Middle Egypt.
When it comes to finding the ideal drawing tablet for one’s everyday documentation duties, we all have our different preferences. Some of us want portability over everything else and would like to take our devices wherever we go.
Wadi el-Hudi is an extensive mining site in the desert about 35 km southeast of Aswan where, in ancient times, Egyptians mined precious stones and minerals, including amethyst, galena and gold.
One of the most understated requirements of digital inking is the ability to be in full control of line placement and line quality. Obviously, ink line quality can be altered by several aspects as is often dictated by the publisher’s requirements.
Whether you’d like to use your iPad as a drawing display or merely as an extension of your Mac’s screen real estate, you will find numerous third-party solutions in the App Store.
The conservation and documentation of the tomb of Senneferi (TT 99) at Luxor was carried out between 1992 and 2002 by the Cambridge Theban Tomb Project, under the leadership of Nigel Strudwick.
To be able to effectively use Photoshop in the studio, one needs to create a perfect personal workflow. While the same results can often be achieved by using different methods, the amount of time and effort it takes to accomplish your goals highly matters.
In recent years, the Heidelberg University’s Ramesside Tomb Project has been studying the motifs behind the decoration of the forecourts of two Ramesside tombs, TT 157 and TT 183.
In this somewhat unconventional entry, digitalEPIGRAPHY would like to draw your attention towards the general understanding of what using computers in producing art really means.
The following article is going to be a somewhat unusual tutorial as it is aimed to give the reader a sneak-peek into the process of developing a new documentation method.
Although Apple’s new iPad Air might look familiar for those who remember the 10.5-inch iPad Pro from two years ago, it is a brand-new mid-tier tablet between the entry-level iPad and the high-end Pro models.
A recent exhibition in the Antikenmuseum Basel recreates two of the most beautiful rooms, the Hall of Beauties and the adjacent Pillared Room in Seti I’s magnificent tomb in the Valley of the Kings.
If you have a Windows PC, you are probably familiar with Corel’s excellent software solutions regarding photo modification and vector illustration, called CorelDRAW Graphics Suite.
In the following entry we’d like to show you how to take advantage of your tablet’s camera during digital ”penciling”, as we all know that the best camera is the one that is with you.
Das Grab des Paenkhemenu (TT 68) und die Anlage TT 227 by Karl-Joachim Seyfried is part of a series of publications devoted to the Theban tombs of Ramesside officials produced by the Egyptological Institute of the Heidelberg University.
It is time for us to reach out to our growing community to exchange views on digital documentation or documentation in general by utilizing the channels provided through the digitalEPIGRAPHY website.
Although Apple is heavily marketing its Pro tablet to be used for content creation, interestingly they have never considered producing a stand or drawing board to get a better grip or drawing angle when using their tablet computer.
With the digital re-release of William Kelly Simpson's 1976 volume, The Mastabas of Qar and Idu, we had the golden opportunity to re-evaluate past practices concerning publications with wall scenes in focus. Due to a successful collaboration between the Giza Project at Harvard and the Epigraphic Survey of the Oriental Institute, a digital version of the book is presented here for the first time, re-structured as an online publication.
After Thanksgiving Day on November 27, 1924, the Harvard University–Boston Museum of Fine Arts Expedition staff at Giza focused on clearing the area east of the Great Pyramid of Khufu, around the first queen’s pyramid to the north (labeled G I-a) and reaching the north end of the mastaba-tomb Reisner had numbered G 7110.
The tomb complexes of Qar (G 7101) and Idu (G 7102) lie just north of the edge of the great Eastern Cemetery of the Cheops pyramid near its western end, just south of the top of the pyramid causeway, and north of the great double mastaba of Kawab, the son of Cheops (G 7110- 7120).
The new Apple Pencil must be protected in case it's accidentally dropped to the ground, and now FRTMA released 2 different silicon sleeves to safeguard your brand-new stylus.
The limestone superstructure of the mastaba of Qar has almost entirely disappeared, but may be traced in its lowest course to a width of ca. 7.50 m. east-west along its northern edge. Its north-south dimension can no longer be traced. Except for the upper part of the approach stairway, the complex is excavated in the natural rock just north of the large mastaba tomb of Kawab.
The superstructure, to the extent that there may have been one, has been destroyed. The chapel complex of Qar as it remains consists of a court in the substructure open to the sky, the walls capped by a cornice, with an interior chamber to its south, off which open the two chambers to the west and the east. The court is entered from the surface by a flight of steps descending from north to south.
In Court C, two fine limestone blocks span the south face and are neatly joined at the center over the central rock-cut supporting pillar, total length ca. 6.27 m., inscribed in three lines in sunk relief as follows: Left half, reading right to left with a seated figure of Qar with full wig, broad collar, and bracelets, facing right with a staff at left end. Right half, reading left to right with a similar seated figure of Qar facing left at right end.
Wacom’s new Cintiq Pro tablets are great drawing displays, but they don’t provide a tremendous amount of flexibility when it comes to finding the right drawing position.
This inner room is wholly rock-cut. Its inscriptions and reliefs are in part badly preserved and in places not fully legible.
The entire east wall is in poor condition. The reliefs and inscriptions are partly cut in the natural rock and were originally completed in plaster which has now, in part, fallen off. The decoration extends over the entrance doorway from Room D.
This chamber is cut in the rock and was never decorated or inscribed. An Arabic graffito was noted at the time of discovery on the west wall. Running east and slightly north from the east side of Room D, its length (including jambs) is 3.60 m. by about 1.10 m. wide.
The most recent iteration of Apple’s iPad Pro line was released exactly four months ago, on the day our website went live. The new, radical form factor, the share power of its new processor...
There are four shafts with burial chambers within the area of the reconstructed mastaba. The chief shaft with the burial of Qar descends just south of the serdab and north of the western interior chapel chamber. The second shaft lies just west of the offering slab in the alcove of the eastern interior subterranean chapel chamber, and would seem to be associated with this chapel, perhaps as the burial of Qar’s wife.
Containing offering stones and basins and a head from an anthropoid sarcophagus, small fragments of relief, faience vessels, amulets, bowls, jars wooden model figurines and basalt statue pieces, etc.
Qar's mother was Khenut, his wife's name is Gefi, who was a prophetess of Hathor. One of his sons bears the name of Idu. It is generally accepted that Qar is the father of the Idu of the mastaba G 7I02. The opposite, where Idu would be the father of Qar, also cannot be excluded. In the chapel of Qar, the Idu is represented with his sister Benjet. There is a Benjet in the chapel of Idu, where she is presented as his daughter. Another sister is called Tjetuet.
The last time Wacom updated its Pro Pen series was a long time ago. Now, in response to users who have requested a more ergonomic stylus, the company is introducing the Pro Pen slim.
The tomb of Idu lies in cemetery G 7000 north of street 7000 and east of the related tomb of Qar (G 7101). It was discovered by the Harvard University-Museum of Fine Arts, Boston Expedition on January 10, 1925, in the course of clearing the shafts east of the complex of Qar. The shaft with the burial chamber and sarcophagus of Idu (G 7102 C) was cleared during the first two weeks of 1925.
The background for the digitally updated drawing sample was created photogrammetrically using three different datasets: a series of photos taken for a virtual tour of the Qar & Idu Mastabas by Luke Hollis; a more recent set taken to provide the level of detail required for drawing the facade at a scale of 1-4@300ppi by Marleen De Meyer; as well as a set of five 6.5”x8.5” archival glass plate negatives taken by Mohammedani Ibrahim between 1925-1940.
DStretch – a well-known and widely used piece of software – is an ImageJ plugin written by Jon Harman to enhance rock art images invisible to the naked eye. To be able to use DStretch on your computer...
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Simpson’s original publication of the texts found in the tombs of Qar and Idu was quite good, so when we began discussing how and what to update for the digital version, there was a consensus that the changes needed to be made more cosmetic than structural. We also immediately realized that a complete update of all the inscriptions would not be feasible within our time frame, so we opted to do a test case using the architrave of Idu. At the same time, the rest remains in Simpson’s original format for now.
The architrave consists of two large blocks joining precisely over the center of the door and a standing figure of Idu at the right facing left. He holds a long staff and wears a short pointed skirt painted yellow, a broad collar and wristlet, and a tight fitting wig. Above these fitting blocks is an overhang with sloping element, also of two blocks, and above these blocks two additional fitting blocks, with the two lines of text arranged so that the first reads from right to left and continues the text in the second line from left to right
In this article we would like to focus on the 2015 initiative at the Metropolitan Museum of Arts to build a virtual reconstruction of the original polychrome painted decoration of the temple of Dendur.
The access doorway is 0.60 m. wide and 0.70 m. deep, 1.58 m. high outside, 1.46 m. high inside, with drum between. The sill is .22 m. above the floor of the chamber and .05 m. above that of the exterior court. On both east and west jambs are standing figures of Idu, facing north, with inscriptions above and in front of them.
The north wall presents a thematic unity and has been frequently discussed and illustrated. There are a number of scenes taking place before the deceased, who is seated on a palanquin. These scenes include the preparation of food and drink, music with dancers, persons bringing offerings and children playing games. A selection has evidently been made from the various episodes, as the parallels from other tombs indicate. Perhaps the best order is achieved by reading the right wall, bottom to top, the left wall, bottom to top, and last the tympanum.
Adobe Photoshop CC is a photo, image, and design editing software built for professional designers, photographers, and artists. It is now part of the Adobe Creative Cloud service...
Rock-cut throughout. Length 4.22 m. Along the entire length of the wall, at the top, runs a single-line inscription reading from right to left. Below this, in deep niches, are six standing statues (1 to 6), the northernmost smaller than the others, the space above it being occupied by a four-line inscription reading right to left. Between the niches containing statues (2) to (6) the surface of the wall is inscribed with four vertical inscriptions.
Length 1.30 m. Scenes and inscriptions covering the full length of the wall, complete in upper part: lower part partly scaled off and missing. Idu views the singing, music making, and games in honor of the goddess Hathor.
Apple’s first non-Pro tablet device attributed with Pencil support might be replaced by a new model this Spring. digitalEPIGRAPHY would like to put last year’s model under the microscope...
Length ca. 1.50 m. At the north, Idu is seated facing left on a chair before a table of bread. Under the chair sits his wife facing left. Over and beyond the table of bread are three registers of offerings and offering-bearers, extending to the south end of the wall. Below this is a narrow band of inscription reading right to left running the full length of the area. At the bottom of the area is another register, with a short vertical text at right, and a procession of butchers, etc., facing right running the length of the wall.
A large stela painted to imitate red granite under a cavetto cornice, framed in a torus molding, with below a rock-cut half-length engaged statue of Idu, the hands extended forward, palm up, to receive the offerings on the offering table lying on the floor below.
Making a selection before interacting with certain elements of a drawing is one of the most vital tasks anybody who works with visual documentation must learn early on. In the first installment of our new tutorial series...
The wall surface is occupied by a seated figure of Idu facing right before an offering table, a text along the top of the wall reading from left to right, a large offering list opposite Idu, and piles of offerings below the list. In addition, there is a register of offering bearers facing left toward Idu below this scene and a horizontal line of text above the bearers. Subsequent to the carving of the wall surface a narrow stela was cut in the northern part of the wall through the pile of offerings, the horizontal line of text, and the procession of bearers.
Seven shafts are provided with 7102 designations. Of these A-E lie between 7101 and 7102 but within the presumed area of 7102. 7102 C is the main burial with the sarcophagus of Idu. 7102 A and B are later but probably of the same family, although they lie beneath the presumed line of the west wall of the superstructure mastaba. 7102 D and E are subsidiary to 7102 C, and hence part of the complex. 7102 F is outlying to the northwest and clearly intrusive. 7102 G in the north wall of the middle level court is assumed to belong to a member of the family.
Containing faience vessels, small fragments of relief, faience vessels, amulets, bowls, jars, copper tools, pottery, flints, and fragments of an alabaster royal statue etc.
The joint Sudan Archaeological Research Society-British Museum project between 1998 and 2012 investigated the many records left by the Egyptian military expeditions during the New Kingdom at Kurgus.
In life, Idu was the Scribe of the Royal Documents in the presence of the king. He also held the title, "Tenant of the Pyramid of Pepi I" as well as "Inspector of the wab-priests of the Pyramids of Khufu and Khafre (Pyramid), during the reign of Pepi I. His wife was called Meretyotes, he had three sons: Qar, Idu, and Hemi. He also had two daughters, called Bendjet and Iry.
This is a study of the multiple drawing processes used by the Epigraphic Survey (Chicago House) to document a pillar scene of Thutmose III Given Life by Amun-Re on the façade of the Small Amun Temple at Medinet Habu in Luxor.
Astro HQ, the company behind some of our most favored digital drawing software solutions, Astropad and Luna Display, has recently announced an update to its Liquid video engine
The conservation and documentation of the tomb chapel of Menna (TT 69) at Luxor was implemented between 2007 and 2009, under the direction of Melinda Hartwig of Georgia State University.
Dedicating an entire article for such a nuanced topic might seem like an overkill for some, however, knowing how certain Photoshop brush settings work and understanding how we can tweak these features...
The iPad Pro is a fantastic tablet computer, but one needs a compatible stylus for it to live up to its potential. Apple – after famously stating for years that touch-based computers don’t need a stylus – finally gave in in 2015...
Although we at digitalEPIGRAPHY are committed to the software that works best for our field and studio drawing needs, there are instances when one needs to experiment with alternatives.
There is a peculiar product that we’ve already included in our Tools section called the PaperLike screen protector that proved to be tremendously useful when drawing on the iPad.
In 1979, a team of the Dakhleh Oasis Project discovered the upper part of lavishly decorated walls of what turned out to be a fourth century ‘villa’ occupied by a family of high social status.
In this second tutorial discussing nuances that are specific to the digital iterations of the Chicago method, we’d like to debate over yet another peculiar surface treatment, the representation of areas obscured by plaster.
Lenovo just announced its Yoga A940, a desktop all-in-one with a movable display aimed at digital content creators with some unique twists in design and function that differentiates it from Microsoft's Surface Studio.
This bit of news comes hot from CES, the world's gathering place for those who has an interest in consumer technologies, where Wacom has announced its most affordable pen display ever, the $649/ €599.90 Cintiq 16.
We can't believe that it's been two months already since digitalEPIGRAPHY went live! Thanks to you, and another 3853 of our devoted readers, we are starting to form a community who'd like to learn about and contribute to digital documentation in Egypt.
In 2007, a British Museum expedition began investigating the late antique activity at Hagr Edfu, with a focus on surveying, conserving, and documenting the rock-cut tombs of Areas 1 and 2, including Tomb D of Area 2b. Project description
In order to reflect the evolution of computerized recording techniques since the Digital Epigraphy Manual’s release in 2014, the Epigraphic Survey initiated an update of its digital documentation guidelines.
We at digitalEPIGRAPHY have been enjoying using Procreate since purchasing the first iPad Pro and the Apple Pencil back in 2015. Three years have passed, and we can still say it with a lot of confidence...
The Beni Hassan @ Macquarie project aims to provide a visual dictionary for all inscribed tombs of the Middle Egypt burial site Beni Hassan, including that of Khnumhotep II.
In the second part of introducing budget-friendly artist displays, digitalEPIGRAPHY would like to draw your attention towards yet another emerging company that was founded in Japan in 2005, called XP-Pen.
The background photo for LD 177 was created using the photogrammetric software Agisoft Photoscan and a Mamiya RZ67 Pro IID and 50mm Mamiya-Sekor Z f/4.5 lens, mounted with a Hasselblad CFV-50c digital back. The scene was lit using a Profoto studio strobe.
A British Museum expedition under the direction of W. V. Davies has been working on cleaning and recording the pharaonic tombs of Elkab since 2009. The tomb discussed here was built for Senwosret, a governor of Elkab probably during the early 12th Dynasty.
The iPad Pro has become a fantastic tool for us working in digital documentation in part because of its flexibility — different apps provide different drawing tools, ideas, and experiences.
Although at the moment all the attention is directed towards Apple’s new iPads and its brand new, 2nd generation Apple Pencil, there are still multiple reasons to include the original version with our recommended tools.
There is a lot of debate, hesitance and argument pro and contra when it comes to studying, documenting and/or indicating damaged areas of ancient Egyptian wall surfaces. In our opinion, there could be a very convincing case...
When it comes to buying a drawing tablet for all your studio and/or field documentation elated work, there are a lot of standpoints to consider, such as size, accuracy, pressure sensitivity, efficiency and, last but not least, cost effectiveness.
A British Museum expedition has been working at the necropolis of Hagr Edfu under the direction of W. V. Davies since 2001. In recent years, the expedition has documented a group of three tombs at the foot of the main hill of the site...
In the second part of my introduction regarding using full-fledged desktop software in the field, I’d like to elaborate on the importance of creating the best possible workflow for our documentation needs.
This bit of news might only concern digital artists with deep pockets, however digitalEPIGRAPHY would like to reach out to those of our colleagues working with the Windows ecosystem...
I’ve used a few different drawing displays in the past years and one aspect of their design stayed consistent: they had large, spacious screens, at least 20 Inches in diameter. I loved my first Cintiq 21UX just as much as the Cintiq 22HD I used in Egypt.
A lot of digital artists have the problem that after a while of using a Wacom tablet, the surface warms up and their hands start "sticking" to the drawing display, making the glass surface less than ideal for that smooth brushstroke they were about to draw.
A Japanese expedition from the Institute of Egyptology at Waseda University, Tokyo has been working in the el-Khokha area in the Theban Necropolis since 2007 under the direction of Prof. Jiro Kondo. The team has rediscovered the tomb of Userhat (TT 47), Overseer of the King’s Private Apartment under Amenhotep III
Just a few years ago it wouldn’t have occurred to me to take my precious laptop to the temple, however in the last couple of years I grew accustomed to having the benefits of accessing desktop applications when working on certain field projects.
The micro-granular dust that’s in the air is potentially the biggest hazard when working in the field with our precious digital tools. Obviously, your iPad needs protection when tucked away in your bag while carried to and from the monument...
The Polish Centre of Mediterranean Archaeology’s present project began in 2008, with the aim of completing the study, restoration and publication of the Deir el-Bahari temple of Tuthmosis III. The work is the continuation of a previous mission led by prof. Jadwiga Lipińska, which was suspended in 1996.
This is the first keyboard digitalEpigraphy is going to review that is oriented specifically towards digital artists, illustrators and graphic designers, therefore we are very excited to share our thoughts after spending 2 months with the device.
Wacom pen displays are widely popular among digital artists all over the world, but they are not exactly known for their versatility and portability. The model the Epigraphic Survey’s artists use is primarily meant for heavy-duty studio work...
When inking large drawings with multiple layers, one can easily get lost in the details. This focus-oriented process often leads us to craft repetitive tasks manually, over and over, until our hands hurt.
With the new iPad Pro finally available and the first reviews pouring in on several tech blogs, let digitalEPIGRAPHY give you a quick roundup of their initial impressions and especially what creative professionals think of Apple’s new tablets.
TourBox is a very promising Kickstarter campaign that has the promise to reduce the often cumbersome process of going back-and-forth between your mouse/touchpad, keyboard and your graphics tablet while working in the studio.
Adobe’s most popular plan, which includes Photoshop CC, digitalEPIGRAPHY’s choice of software for digital inking, will be sold in some areas (excluding Europe, the Middle East and Africa) for $14.99/month in the next week.
The Polish Center of Mediterranean Archaeology dedicated four seasons between 2011 and 2015 in Deir el-Bahari to the documentation of the wall decoration in the Main Sanctuary of Amun-Re in the Temple of Hatshepsut.
Upon upgrading from Photoshop CC 2017 to CC 2018 there are a few differences to be noted regarding to the using of the standard brush tool. There are changes to the brush presets panel, allowing users to manage brush presets more quickly and easily...
With the new iPad Pros just landing in Apple Stores all over the world, it is probably a good time to revisit last year’s most capable tablet for those who consider investing into a powerful drawing device, but are on the more budget-conscious side of the spectrum.
During the 2015 season the French-Egyptian Centre for the Study of the Temples of Karnak continued their epigraphic programs at the 8th Pylon, the Philip Arrhidaeus’ bark-shrine, and the area of the Akh-menu.
As it was already explained in the first edition of the Digital Epigraphy manual, Photoshop is our choice of quintessential tool when it comes to digital inking in the studio. We paint most of our brush strokes freehand using very little artificial help.
Twenty years ago, when I started working in Egypt as an epigrapher, I wasn’t given too many guidelines regarding how to do the best job when documenting a painted tomb. Our Hungarian project leader wanted to have the most detailed, most faithful, most informative, and most complete documentation that was accessible to everyone,
Yesterday - among other products - Apple introduced its much awaited redesigned iPad Pros, revealing the most radical hardware change to the iPad since the Pro line was launched in 2015.
This is just the latest of several forewords I have written for Krisztián Vértes and the Epigraphic Survey’s collaborative digital drawing manual Digital Epigraphy, but this one marks a gigantic technological leap forward.
The extensive work of the French-Egyptian Center for the Study of the Temples of Karnak was devoted to several programs during the 2013-2014 season, including the epigraphic survey of the northern area of the Akh-menu of Tuthmosis III etc.
The Apple Pencil is a fantastic accessory for the iPad Pro, but it’s slippery and always rolls all over the place. This unexpensive Apple Pencil sleeve is here to save the day. The FRTMA sleeve is a silicone holder and grip for Apple Pencil having strong magnets embedded into its side.
Along with details about the forthcoming Photoshop for iPad, Adobe has announced another brand new iPad app coming soon, called Project Gemini. The iPad app will pair pen and touch hardware with professional tools and a streamlined, easy-to-use interface.
Back in 2015 Astro HQ released an iPad app called Astropad with a unique mission: to map the iPad to your Mac’s screen! At that time Astropad filled a unique space for creative pros.
The Logitech Craft has a clean look and includes a “creative input dial” right above its escape key, it’s designed to augment software like Photoshop, Illustrator and Office. While many keyboards in the past have had volume control wheels, the Craft’s dial is a customizable and intuitive input mechanism for various applications and uses.
On October 15, Adobe unveiled Photoshop CC for iPad, one of the most ambitious third-party software projects we’ve ever seen for iOS. With such a long history on the Mac (Photoshop 1.0 for Mac OS was released in 1990), conquering Apple's tablet is going to be a huge opportunity for Adobe and creative professionals alike.
In 2012 the Amarna Project began its excavations at the Great Aten Temple in order to re-study the temple remains, and to clean the site and mark the main building outlines in fresh stonework.
There are two slightly different methods that can be introduced here: the artist can either delete from or add to the initial curves. They are both very effective and, once mastered, they can be useful complements to hand-drawn brush strokes.
Launched as a Kickstarter project last year, Luna is now available to everyone, priced at $80 (an extra $20 over the crowdfunded version). The device’s promise is similar to Duet, but accomplishes the task wirelessly and with better precision than its chief competitor.
Procreate is a multi-award winning painting app designed for creative professionals. Made exclusively for iPad, Procreate allows you to create beautiful sketches, inspiring paintings, and stunning illustrations wherever you are.
At the time of writing, there is not a single professional grade portable electronic device solely dedicated to graphic work.
Hej Stylus! V3 is the first global pen stabilizer application for mac. It’s capable of smoothing out position, pressure, tilt and rotational values. It also maps pressure and stabilizes line drawing with the ruler tool.
The investigation of the ancient town and temples of Elephantine has been carried out by the German Archaeological Institute Cairo (DAI) in cooperation with the Swiss Institute for Egyptian Building Archaeology (Swiss Institute) since 1969.
The vast program of excavation, documentation and epigraphic study of the Osirian chapels and necropolis of Karnak was initiated in 1993 by the Centre Franco-Égyptien d’Étude des Temples de Karnak (CFEETK) and then extended by a collaboration with the Institute Français d’Archéologie Orientale (IFAO).
At a Tuesday press event, Microsoft revealed three new computers in its touch-capable Surface line, among them the brand new Surface Studio 2, the next iteration of their all-in-one desktop aiming to reach designer professionals with a big budget.
A Spanish team of the University of La Laguna, Tenerife is currently recording and studying the scenes and inscriptions of the Meroitic temple from Debod, Nubia, now in Madrid, under the project title “tA-Hwt, Digital Techniques applied to the Inscriptions and Reliefs of the Temple of Debod’.
In the next couple of months Wacom is celebrating, and the reason is none other than the company is 35 years old! To sweeten the occasion, the Japanese company is offering some really nice deals when you purchase some of their best hardware through their online store.
Delux's Designer Keyboard is a useful tool to eliminate the need of memorizing all the shortcut keys a digital artist needs to use every day, and helps minimizing the time one spends with repetitive tasks when working with Photoshop etc. This is the perfect product that is specifically made for designers to help increase their work efficiancy.
The Czech Institute of Egyptology’s excavations at Abusir South in 2014 have led to the discovery of the tomb of Kaisebi (AS76) and the adjoining structure of Ptahwer (AS 76b). Both tombs are dated to the end of the Third Dynasty.
Restored decorative elements and architectural features, when part of an inked drawing, are represented by a series of dashed lines, as we’ve discussed in Chapter 2, Section 3. Again, just as with dotted lines, drawing dashed lines digitally can be accomplished in more than one way.
The Czech Institute of Egyptology discovered the mastaba of the chief physician Shepseskafankh during the course of their 2013 season in Abusir South. The tomb is located in the northeastern part of the cemetery of officials dated to the Fifth Dynasty, spanning the reigns of Nyuserre through Djedkare (2402–2322 BC).
The iPad, just like the Wacom Companion, consists mostly of screen surface, with almost no bezel to get a grip on. For this reason, the obvious first step in customizing the hardware is, again, getting a larger drawing board into which, the device can be inserted, and which also serves as a protective case while creating a larger surface for the artist's hands.
The technology of utilizing a cable or wi-fi connection to expand the Mac’s desktop to the iPad through a certain combination of apps has been around for some time now. We’ve been using our iPad as a simple screen extension or Wacom tablet replacement both in the studio and in the field...
This project is a Digital Color Pencil enhancement based on the scene numbered MHB 118, which shows multiple layers of carved and painted decoration from various historical phases.
The documentation process for the western outer wall of the Medinet Habu Bark Shrine was fairly complicated, although at first sight the project seemed rather straightforward.
Modeling is indicated by a stippled area in which the variety in dot density adds a certain dimension to the texture. As with dotted paint lines and dashed architectural lines, the artist is free to add all the dots individually, and this is probably the easiest way to do so, especially when the area to be modeled is fairly small.
Documenting the Roman frescoes in the Imperial Cult Chamber at Luxor temple is a rather unique Epigraphic Survey project. A few years ago, these frescoes went through a very thorough restoration process, including extensive photo documentation.
Existing iPad stands are designed for smaller iPads, mainly for consumption. With iPad Pro, they are flimsy, lack adjustment, and annoying to use. Elevation Lab's solution offers something like a traditional drafters table - sturdy, solid and comfortable stand to use all-day.
There are two slightly different methods that can be introduced here: the artist can either delete from or add to the initial curves. They are both very effective and, once mastered, they can be useful complements to hand-drawn brush strokes.
If further clarification of the pencil lines is needed for some reason, the artist has one more tool in his/her hands, but the process has to be carried out meticulously from the first manipulation of the enlargement.
After teasing the iOS community for almost a year, Serif has released the iPad version of its often-praised professional level vector graphic software Affinity Designer.
Digital penciling on site at the doorway was mostly done using the Wacom Companion as the initial tool for capturing the carved lines. First, the shortcuts for Photoshop had to be modified slightly compared to the settings being used in the studio,
The digital inking process started with upscaling the composite pencil drawing from 400 dpi to 1200 dpi, which resulted in exponential growth in the file size. To keep the drawing manageable while preserving all the layers, the 8-bit RGB file was transformed into 8-bit Grayscale (Image/Mode/Grayscale).
As an Epigraphic Survey artist who works almost exclusively with black-and-white images, one would think that learning about Photoshop’s color management is rather pointless.
Using the Pen tool is the most precise and most controllable way of drawing curved paths for brush strokes. Its main advantage over the Freeform Pen tool is that the artist determines the number and position of the Anchor Points he/ she wants to use along the path.
An accessory that should be considered for anybody using Wacom’s solutions, whether in the field or in the studio. This little wireless device provides a set of seventeen customizable buttons and a touch ring to allow the artist achieving instant one-touch access to timesaving shortcuts.
Astropad Studio turns the iPad Pro into a completely customizable graphics tablet. It's Astro HQ's highest performance tool for the most demanding creative work.
Changing the arc of a curved line is just as hard in Photoshop as it is on paper - assuming the artist is drawing freehand. The artist has to pay attention to keeping the smoothness, the thickness, and the sun-shadow transitions of the original line while carefully adding and removing extra brush strokes.
According to the Epigraphic Survey’s documentation method, the data package for a regular wall section consists of the following items: archival photo(s), the drawing created on the photo enlargement, and the collation package.
Astropad, like all Apps that create a bridge between computer and iPad, has a desktop version that provides the necessary connection. Upon initial opening of the Mac App, one has to decide what percentage of the computer screen should be allowed to appear on the iPad.
Blueprints of the original artwork have always been essential to the Epigraphic Survey’s collation methodology. They are an exact reproduction of the original drawing, created by using a contact print process on light-sensitive sheets.
The best way to make local enhancements over smaller areas is by using the Burn and Dodge tools. The Burn tool can be used over light areas to make the pencil lines appear darker. When the artist uses the Burn tool, he/she has to be very careful
There should be some customization performed on the tablet’s button interface before putting it to work. When we click on the Functions tool, we see a picture of the left/right string of buttons with some commands already associated with them. These buttons are called Express Keys and can perform tasks associated with certain mouse clicks.
Once the collation is done and the epigraphers and the artist are all in agreement about the changes to be made to a drawing, the artist has to transfer all these modifications from the collation sheet to the computer.
As we discussed earlier, the initial version of our digital documentation is prepared at the archaeological site, in front of the actual wall. This version contains all the important data of the original artwork.
The Puppet Warp is a function that enables the artist to distort selected areas on a drawing via a mesh overlay and the placement of pins. Although we’ve already applied certain transformations on selected areas
Once the image is scanned, it should be ready to work with. Ideally the photo enlargement is small enough to be scanned as one piece, and our pencil lines are strong enough to be visible while inking.
Now that photo manipulation, workspace customization, and the layer-based environment don’t seem to be such alien concepts anymore, we have to deal with the task of producing actual drawings.
Instead of creating a cheaper Apple Pencil or dropping the price of the existing version, Apple lent its technology to Logitech, to create the $49 Crayon digital pencil that could be purchased as an education-only accessory to go with its new sixth-generation iPad.
Once again there is the obvious method of applying a “digital scalpel” over painted lines, using the Eraser, except that using the Eraser tool to get this lighter effect takes a very long time.
Once our layers are set up, our drawing is ready for inking. First, we have to open the Brush tool and set up the Epigraphic Survey’s standard brush stroke sizes:
Layer Masks are one of those Photoshop features that beginners might find hard to work with, although the philosophy behind masks is very simple: masks enable the artist to hide or reveal parts of a layer.
As a final preparatory step to ready the digitally penciled drawing for studio work, the artist needs to readjust the scale of the drawing to match its original dimensions. Since downscaling was a temporary necessity, required only to match the iPad’s and Procreate’s current limitations, we need to upscale our layered psd file to the same pixel resolution as it first appeared on our Template.
The first potential solution to fulfill the need for a high powered, high resolution portable graphic tablet was provided by Wacom Co., Ltd. in 2013, shortly after the first edition of this book was released. In the past three years,
Although Apple’s iPad line, implementing touch screens in larger computing devices, was introduced in 2010, supplying it with an actual stylus and making it a competitive alternative to the Wacom tablet is a relatively new approach.
A time-consuming way of merging scans of oversized images involves a lot of manual manipulation by the artist, but it gives a lot more control over the entire process.
Logitech Crayon is a versatile, pixel-precise digital pencil, designed specifically for iPad 6th generation and its large Multi-Touch Retina display, that brings another dimension to learning and opens up new avenues of creativity for any digital artist on a budget.
Although, as established earlier, there is no desktop Adobe software that can natively run on the iPad Pro, some sophisticated iOS Apps offer access to desktop programs, so they can be remotely operated by the iPad.
The artist needs to execute a few modifications to be able to work with a color version of his/her drawing. The drawing is created in a grayscale environment, so any color that would be applied on it would show as a shade of gray.
Once the artist creates the highest resolution background that is still usable in Procreate, all the layers can be merged and the file can be saved as a regular jpeg, keeping its quality at its maximum.
In this section, we will present a collection of some of the more relevant accessories to be considered for documentation in the field.
In this chapter we explore the digital environment in which the final Chicago House inked drawings are created. Although dealing with buttons and sliders while holding our pen might seem to be a bit alien at first, it will nevertheless be worth the effort to learn to customize and to change the appearance of our artwork.
For whatever purpose a digital artist uses Photoshop, there are a handful of fundamental features that form the basis of almost any task.
The Magnetic Pen Tool is an option of the Freeform Pen tool that lets the artist draw a path that snaps to the edges of defined areas on the drawing. We can set up the range and sensitivity of its behavior as well as the complexity of our path
To be able to create precise drawings in Photoshop, the artist must be able to emulate closely the feel of working on paper with a regular pen.
Ink-Line Weights, Sun-shadow Orientations, Translating Three-Dimensional Relief into Two-Dimensional Pencil/Ink Lines, Architectural Elements, Recut or Restored Figures and Inscriptions, Plaster, Additional Details
Before the artist starts adding the collation sheets to the digital drawing, he/she needs to set up the current stage as a layer for future reference. Later on, when we need a before and after collation comparison, this layer will be the one to which all subsequent changes can be related.
In Raised Relief the background stone is removed, leaving the carved hieroglyph or figure projecting above the surface of the wall on a shallow platform stone.
With Wacom’s Companion, it is possible to use a digital photograph instead of a printed enlargement for the drawing background, “penciling” directly onto the digital image in the presence of the inscribed wall surface.
As part of the collation package, paint sheets are regular (i.e., black-and-white) printed copies of the inked drawing. They can thus be made fairly easily by flattening the digital drawing and hitting print.
The carved reliefs and inscriptions which are the focus of the Epigraphic Survey documentation efforts are usually found in an architectural setting (except in the case of decorated block fragments) on interior and exterior walls, portals, columns, four-sided pillars, architraves, and sometimes ceilings.
In the history of a monument, several stages of development can have occurred over time. When later buildings, walls or other edifices have been added so as to nearly obscure earlier inscriptions, it might be possible to record those carvings by employing any number of resourceful methods.
Once the jpeg is imported and placed in the relevant project’s folder, we can move on to Procreate’s interface customization. There is not a lot to do here, but one should be aware of a few tweaks that could potentially help with work in the field.
At Medinet Habu there are areas recut by Thutmose III where signs and other elements are found inside scooped-out areas where Hatshepsut's original carvings were removed, and where Atenist-hacked deities and inscriptions were smoothed back and recarved within similar depressions.
Along with refreshing our scanning skills, we also need to remember how to align layers properly. The Collation Sheet Layer needs to be matched exactly with the drawing, otherwise the changes end up being misaligned.
Painted details are rendered as dotted lines using a 6x0/.13 pen. Paint lines define actual edges of paint strokes or intentionally painted areas. Paint flecks or spots of any size remaining within a painted area after abrasion or erosion are not rendered.
Procreate lets the artist paint in high resolution using customized brushes in a multilayered environment. It has a simple user interface, with most of the settings and options tucked away in hidden menus, keeping the canvas uncluttered. On initial opening of the App, the user is presented with a series of sample artwork made in Procreate
In 1923 Oriental Institute founder James Henry Breasted conceived the idea of a permanent field headquarters of the Oriental Institute, based in Luxor, for a long-term epigraphic and architectural survey of all the ancient temples of the Nile Valley.
Although the digital inking method that was specifically developed for documenting the remains of some late Roman murals will be explained in another chapter, the multiple ways in which data is initially captured at Luxor Temple justify a brief introduction here.
Adobe Systems Inc., the maker of popular digital design programs for creatives, is planning to launch the full version of its Photoshop app for Apple Inc.’s iPad as part of a new strategy to make its products compatible across multiple devices and boost subscription sales.