When we look at ancient Egyptian monuments, color is to be found everywhere. Documenting either tombs, temples or the smallest painted graffito, we must provide a reasonable solution for recording the painted remains of the surface.
in the spotlight
To appreciate some of the attributes digitalEPIGRAPHY represents at its core, we would like to introduce a one of a kind epigraphic project focusing on the facsimile representation of the wall paintings in TT 65.
Documenting the Amenhotep III wall scene LD177 at Luxor temple (Part 2) – digital "inking” and collating on the iPad Pro
In the following article, we shall continue exploring new ways of enhancing our traditional documentation techniques in a meaningful way, this time mostly concentrating on the artist’s work in the studio.
Nina and Norman de Garis Davies were two of the most influential artists/epigraphers devoted to recording Egyptian wall paintings in the first half of the Twentieth century.
Hands-on with Fresco, Adobe’s realistic drawing and painting app that is finally available for the iPad
Fresco, Adobe’s next generation drawing and painting tool, recently launched on iPad, promising a creative experience with unprecedented level of faithfulness to traditional oil and watercolor paints.
Either drawing in the field at the monuments or inking in the studio, creating steady lines and smooth curves requires a large drawing surface with lots of elbow room.
This richly illustrated work by Regina Hölzl is dedicated to the mastaba of the royal official Kaninisut: its discovery, the purchase of the tomb’s cult chamber for the museum where it is to be visited today, and its relief decoration.
As much as we like drawing on our iPad, its slippery glass surface has always been a major disadvantage, especially in comparison with Wacom’s etched glass Cintiq drawing displays.
Clicking our way through the many options/tools used in the studio can be rather cumbersome, especially without knowing the right shortcuts and finding an optimal way to execute these commands.
In the 1980s, the Egypt Exploration Society's expedition to Amarna discovered a well-preserved private chapel at the Workmen's Village and the largest that had been built there.
After launching the $649 Cintiq 16 earlier this year, Wacom just announced a larger version of its entry-level tablet called Wacom Cintiq 22 aimed for creatives on a budget.
Carlyn Beccia – Digital Painting for the Complete Beginner. Includes techniques using Corel Painter and Adobe Photoshop
Back in Spring, we introduced a new series, which would include some of our favorite books regarding the techniques and methods used in creating digital art. Our next entry is Carlyn Beccia’s manual, a practical guide to digital painting with Adobe Photoshop and Corel Painter.
Hands-on with MacOS Catalina running sidecar on iPad Pro – convenient but not an Astropad Studio killer just yet
With the public betas of both macOS Catalina and iPadOS finally available for testing, digitalEPIGRAPHY went ahead and tried out Sidecar, Apple's intriguing new feature, to see if it’s ready to take on our beloved Astropad Studio.
Adobe sheds more light on its upcoming drawing and painting iPadOS app, now officially called Adobe Fresco
Photoshop CC isn’t going to be the only attraction coming to the iPad this year. Being developed under the code name “Project Gemini”, Adobe’s other upcoming creative app has a proper release title – Adobe Fresco.
In 1995, the Royal Ontario Museum initiated its Theban Tomb Project with Lyla Pinch-Brock and ROM Assistant Curator Roberta Shaw as co-directors recreating the facsimile technique used by Nina de Garis Davis.
It’s official: with macOS Catalina this Fall, Apple will provide system-wide native support for the iPad to be used as second display
A new feature in macOS Catalina, called Sidecar, will let an iPad act as a second display for the Mac. The Mac can be paired with iPads wired or wirelessly, and will have Apple Pencil support when using the new feature.
Let’s talk about… Ears – stylistic attributes and visual representation guidelines based on carved and painted examples
In this new series of tutorials, digitalEPIGRAPHY would like to draw your attention to the importance of stylistic accuracy in epigraphic documentation by focusing on the representation of a common feature, the human ear.
One of the challenges of epigraphic work consists of essentially converting three-dimensional artwork into a two-dimensional representation on paper (or on-screen). This note summarizes an experiment in solving one aspect of this conversion problem.
Early in his career, from 1894 to 1899, Howard Carter worked with Édouard Naville at Deir el-Bahari, where he recorded the wall reliefs in the temple of Hatshepsut.
Adobe accepting applications to beta test Photoshop CC on iPad, but there is still no mention of release date yet
It has been a while since Adobe announced at last year’s Adobe Max conference that it would be bringing the full Photoshop experience to the iPad sometime in 2019.
Commencing in 1933, a four-volume series entitled The Temple of King Sethos I at Abydos, edited by Alan H. Gardiner, was published jointly by the Egypt Exploration Society and the University of Chicago
Recording Djehutihotep. Digital epigraphy in a Middle Kingdom governor’s tomb at Dayr al-Barsha (Part 1)
Starting in 2017 a team of KU Leuven (Belgium) has initiated a new epigraphic recording of the Middle Kingdom tomb of Djehutihotep at Dayr al-Barsha in Middle Egypt.