Last year digitalEPIGRAPHY presented our first digital collation project. Since that time, we have continued to develop and refine our system so that it is more functional for the artists and epigraphers and takes full advantage of the constantly changing technology.
Any kind of visual interpretation, either being a color rendering of a wall painting or a modeled three-dimensional view of an object, must be tailored to the audience and to the purpose of the actual drawing, whatever the range of technological aids available at the moment.
The Warp Transform Tool has been part of Photoshop for a long time, and it had remained mostly unchanged since its introduction until last year, when Adobe updated its Creative Cloud software suite for 2020.
In the past two years, we've been expanding our scope, tirelessly adding new content upon what was available in the original Manual, opening new frontiers of interest, and taking the art of digital documentation in unexpected and exciting new directions.
Followers of digitalEPIGRAPHY know by now that Procreate is our official app of choice when it comes to working on the iPad. It is a multi-award-winning painting app that allows artists to paint in high resolution using customized brushes in a multilayered environment.
The two-day workshop, held at The American University in Cairo between 22-24 March 2019, was organized by Salima Ikram, Distinguished University Professor of Egyptology at the AUC. Our goal with this short course was to introduce AUC students to the hardware and software solutions utilized by the Epigraphic Survey...
One of the cornerstones of tablet usability in epigraphic work (or in any drawing-related activity, for that matter ) is how well we get accustomed to using a stylus on glass surfaces. If you’ve ever traced a pattern on a light table or by holding it against a window glass, you already know how alien glass can be in comparison with traditional media.
Beginning in 2001, the Spanish National Research Council (CSIC) in Madrid carried out a study of the stelae from Deir el-Medina collected at the Egyptian Museum of Cairo. The project was directed by Dr. José M. Galán in collaboration with the late Aadel Mahmoud, the then-curator of the Egyptian Museum.
The Epigraphic Survey’s digital inking method involves a set of ink brushes, attributed with certain pixel brush widths. With many recent changes and additions altering brush behavior in Photoshop CC, digitalEPIGRAPHY takes a look at the prospect of updating the Survey’s official ink brushes.
The article surveys a number of new methodologies and applications of photogrammetry in Egyptology and Virtual Heritage in general. First, it presents methods for photorealistic rendering of virtual objects...
We’d like to showcase a project that used laser technology to remove dirt and soot from the fragile wall paintings of an ancient Egyptian tomb – a technology that may become a tremendous aid in the future of epigraphy.
After our preliminary study was completed, we set out to fully document the preserved decoration in the tomb of Djehutihotep. With originally more than 250 m² of painted surface and a high degree of detail in the decoration, this poses quite a challenge.
Since the inception of photography, Egypt and its monuments have found themselves the subject of countless photographers, not to mention millions upon millions of tourists. The photogrammetric processes used to generate 3D datasets...
Some of our Egyptological work at Harvard centers around 3D modeling as a research and teaching tool, digital epigraphy, graphic design and book production. Our Giza Project at Harvard, now in its twentieth year...
In 2014, the Mut Precinct in South Karnak reopened its gates to the public after being closed for almost 40 years. The reopening was the result of the work of the Brooklyn Museum’s expedition to the Mut Precinct...
With the just released Wacom One, digitalEPIGRAPHY revisits and compares Wacom's budget options to see if the new Cintiqs can be competitive enough in the well-established low-cost drawing display market.
In 2006, Dr. Ray Johnson, the director of the Epigraphic Survey in Luxor, contributed to the Amenmesse Project/KV 10⎼KV 63 by lending me and my artistic skills to draw the coffins found by Dr. Otto Schaden † and his team in the Valley of the Kings.
This time, we would like to introduce a long planned new series here at digitalEPIGRAPHY’s Reading section that concentrates on recording archaeological artifacts.
If you are looking for a more professional drawing experience on the iPad, but don't want to spend a lot on the Apple Pencil, Adonit’s new $69.99 stylus, called Adonit Note+ could very well be your best option.
Anybody who reads digitalEPIGRAPHY on a regular basis probably knows by now, how fond we are of Astro’s solution, that transforms the iPad into a makeshift Wacom tablet via a little dongle, called Luna Display.
After yet another successful Kickstarter campaign, creator Jan Sapper and his team are back with the refined version of their original matte iPad screen protector, especially designed for artists
Within the Medinet Habu Temple complex in Thebes, just north of the Small Temple and near the Sacred Lake, is an unassuming monument standing alone among the remaining rubble of an ancient mudbrick wall.
With Procreate being our most important software used for digital penciling in the field, digitalEPIGRAPHY has been keeping an eye on Savage Interactive’s development, awaiting anxiously for their annual update.