In 2006, Dr. Ray Johnson, the director of the Epigraphic Survey in Luxor, contributed to the Amenmesse Project/KV 10⎼KV 63 by lending me and my artistic skills to draw the coffins found by Dr. Otto Schaden † and his team in the Valley of the Kings.
Within the Medinet Habu Temple complex in Thebes, just north of the Small Temple and near the Sacred Lake, is an unassuming monument standing alone among the remaining rubble of an ancient mudbrick wall.
In the 2018-19 season at the Epigraphic Survey we began to seriously experiment with the idea of creating 3D photogrammetric models for the blocks of the Western High Gate at Medinet Habu Temple.
With the just released Wacom One, digitalEPIGRAPHY revisits and compares Wacom's budget options to see if the new Cintiqs can be competitive enough in the well-established low-cost drawing display market.
This time, we would like to introduce a long planned new series here at digitalEPIGRAPHY’s Reading section that concentrates on recording archaeological artifacts.
If you are looking for a more professional drawing experience on the iPad, but don't want to spend a lot on the Apple Pencil, Adonit’s new $69.99 stylus, called Adonit Note+ could very well be your best option.
Anybody who reads digitalEPIGRAPHY on a regular basis probably knows by now, how fond we are of Astro’s solution, that transforms the iPad into a makeshift Wacom tablet via a little dongle, called Luna Display.
After yet another successful Kickstarter campaign, creator Jan Sapper and his team are back with the refined version of their original matte iPad screen protector, especially designed for artists
With Procreate being our most important software used for digital penciling in the field, digitalEPIGRAPHY has been keeping an eye on Savage Interactive’s development, awaiting anxiously for their annual update.
Being able to do quick editing at the wall can be rewarding at times. We’d like to show you how to make precise selections and interact with the selected elements in Procreate.
The new XP-Pen Artist 15.6 Pro, with its especially low pricing (only available through the Holidays!), can be worthy of anyone's attention looking for their next studio device.
The Free University Berlin, in cooperation with the German Archaeological Institute Cairo (DAI), has been exploring the royal necropolis of Dahshur since 2000.
In the past year or so, Adobe has been unusually active adopting its desktop software to Apple’s tablet. Their next mobile app with desktop-class ambitions is none other than Adobe Illustrator.
Due to centuries of decay and abuse of the monuments, there is one apparent feature that stands out immediately when we look at tomb or temple walls today: the tremendous amount of loss of the original surface.
More than a year after Adobe's announcement, Adobe Photoshop for the iPad is finally available as a free download through Apple’s App Store. We’d like to share our first impressions getting around the interface and working with the mobile version.
The next entry to Reading section’s series dedicated to creating digital art is a comprehensive guide to the basics of digital painting in Photoshop.
I can’t believe that digitalEPIGRAPHY has already been around for a little over a year! Thinking back on the past 12 months, there are two conflicting feelings that come to mind...
Nina and Norman de Garis Davies were two of the most influential artists/epigraphers devoted to recording Egyptian wall paintings in the first half of the Twentieth century.
Fresco, Adobe’s next generation drawing and painting tool, recently launched on iPad, promising a creative experience with unprecedented level of faithfulness to traditional oil and watercolor paints.
Either drawing in the field at the monuments or inking in the studio, creating steady lines and smooth curves requires a large drawing surface with lots of elbow room.
When we look at ancient Egyptian monuments, color is to be found everywhere. Documenting either tombs, temples or the smallest painted graffito, we must provide a reasonable solution for recording the painted remains of the surface.
First discovered in the 19th century, the tomb of Pay and Raia was excavated and recorded by the joint EES/National Museum of Antiquities, Leiden, expedition between 1994 and 1998.
To appreciate some of the attributes digitalEPIGRAPHY represents at its core, we would like to introduce a one of a kind epigraphic project focusing on the facsimile representation of the wall paintings in TT 65.