There is always the lingering question when working with the complex interface elements of Photoshop: could it be used more efficiently, or does one always have to poke around for every slight adjustment to be made?!
When in 2009 the author was entrusted with the mission of producing a catalogue of the coffin sets of the so-called "Eighth Lot of Antiquities" from Bab el-Gasus (Sousa 2017), he could hardly imagine that this would be a turning moment of his life as a researcher.
Dr. Caroline Louise Ransom Williams (1872-1952) was the first professionally trained woman Egyptologist in America. Mentored by Breasted who was only seven years her senior, their relationship would evolve from teacher and pupil to the greatest of colleagues with a friendship that would last until his death.
Franck Monnier and Paul François began the digital reconstruction of the palace of Amenhotep III at Malqata in 2016, as part of a collaboration with the Ancient Egyptian Heritage and Archaeological Fund. They used digital technologies and 3D software to recreate the columned hall and the throne room of the King’s Palace.
The well-established drawing tablet maker, Huion, recently launched a new pen tablet and keyboard combo, called the Inspiron KeyDial K200. With its innovative design, it is made for artists who are not particularly attracted to pen displays and don’t want to shell out extra money for a shortcut remote.
In the second entry of our Evolution of Epigraphy series, we go back to the rediscovery of Egypt following the Napoleonic Wars, when epigraphic methods were yet to be conceived and early scholars could rely only on their observation skills and artistic talents to convey the magnificence of the ancient monuments.
Started with the first epigraphical efforts in Egypt, it has been a natural desire to capture this attribute when represented on a sheet of paper with only two aspects: length and breadth. In the next installment of this series, we'll put relief representation under the microscope.
This article will look at preliminary work adapting for-print 2D data for online 3D presentation and reflect on questions of how, when, and where these technologies can be used, and how such technologies intersect with the needs, aims, and ethos of the Chicago House approach.
The three-part article reflects on how Breasted came to establish the Epigraphic Survey and the Chicago House Method, utilizing new technologies to make epigraphic work possible, and setting the standard for the digital work of today.
The digital epigraphic record in Djehuty’s chapel comprises five phases: photographic documentation, in situ preliminary drawing, initial inking, collation, and final inking. This procedure ensures that the record is faithful and, in addition, that it reflects the artistic spirit that was embedded in the original work.
With Apple offering their own mirroring solution baked right into their operating system, Astro HQ decided to extend their portfolio beyond the Mac. In the past twelve months, the developers put a lot of effort into bringing their tech to PC users' doorsteps.
The Museo Egizio in Turin is home to many famous pieces of ancient Egyptian art. Less known is that the collection also contains roughly 9000 fragments and approximately 230 larger ensembles of New Kingdom hieratic papyri from Deir el-Medina, many of them unpublished.
A Spanish archaeological mission coordinated by the Spanish National Research Council has been working at the hill of Dra Abu el-Naga North since January 2002. The mission, also known as the ‘Djehuty Project’, has recently turned its attention towards its epigraphic process's digital overhaul.
In the fall of 2007, when I began working at Chicago House, there were several hundred unregistered loose fragments scattered about the Medinet Habu temple precinct, some of them inscribed and lying face down on the ground, already showing advanced signs of deterioration caused by groundwater and salt.
It might seem unrelated to digital documentation, but digitalEPIGRAPHY would like to draw your attention to a device that has an impact not on your epigraphic product but on the way it is created.
In this new tutorial of the Survey's "Tidbits…" series, digitalEPIGRAPHY would like to focus on one of the focal points in rendering raised and sunken relief, namely sun-shadow transitions.
With our brand-new collections, digitalEPIGRAPHY would like to test the water to find out how we can support your research. What we've been working on for some time now is two visual databases, directly accessible and searchable through the website, implemented within the Complementary Material section.
The Harvard University – Museum of Fine Arts, Boston Expedition at the Old Kingdom site of Giza has uncovered significant material from later periods of Ancient Egyptian history, including fragments of a “rishi” type coffin now preserved in the Museum of Fine Arts, Boston.
In the following tutorial, we'd like to show you the main differences between several options to disintegrate certain types of pixels, while explaining how to "detach" a scanned line drawing from its background.
Epigraphic drawing to document the ceiling of the bark shrine on behalf of the Epigraphic Survey were begun in the Spring of 2019. The ceiling would be documented using the Chicago House method and all digital technology, including the photography and initial “pencil” drawings on site.
With the rise of photogrammetry in digital epigraphy, so has the ability to produce quality, to-scale photographs without expensive field equipment. Although lighting is, has been, and always will be, a major factor in the quality of said photographs.
Until a couple of days ago I had rather conflicting feelings about Adonit’s latest iPad stylus, the appropriately named Note-M. The “M” moniker is supposed to stand for mouse, and indeed, the novelty here is the combining of a computer mouse with an iPad stylus.
Recently, XP-PEN released its largest tablet to date, the brand-new Artist Pro 24, which tackles many of the issues large screens propose. It does so in such a convincing manner that it makes me wonder...