In the following article, we shall continue exploring new ways of enhancing our traditional documentation techniques in a meaningful way, this time mostly concentrating on the artist’s work in the studio.
Commencing in 1933, a four-volume series entitled The Temple of King Sethos I at Abydos, edited by Alan H. Gardiner, was published jointly by the Egypt Exploration Society and the University of Chicago
The background photo for LD 177 was created using the photogrammetric software Agisoft Photoscan and a Mamiya RZ67 Pro IID and 50mm Mamiya-Sekor Z f/4.5 lens, mounted with a Hasselblad CFV-50c digital back. The scene was lit using a Profoto studio strobe.
The Polish Centre of Mediterranean Archaeology’s present project began in 2008, with the aim of completing the study, restoration and publication of the Deir el-Bahari temple of Tuthmosis III. The work is the continuation of a previous mission led by prof. Jadwiga Lipińska, which was suspended in 1996.
In 2012 the Amarna Project began its excavations at the Great Aten Temple in order to re-study the temple remains, and to clean the site and mark the main building outlines in fresh stonework.
The vast program of excavation, documentation and epigraphic study of the Osirian chapels and necropolis of Karnak was initiated in 1993 by the Centre Franco-Égyptien d’Étude des Temples de Karnak (CFEETK) and then extended by a collaboration with the Institute Français d’Archéologie Orientale (IFAO).
A Spanish team of the University of La Laguna, Tenerife is currently recording and studying the scenes and inscriptions of the Meroitic temple from Debod, Nubia, now in Madrid, under the project title “tA-Hwt, Digital Techniques applied to the Inscriptions and Reliefs of the Temple of Debod’.
The Eastern High Gate is one of two fortified gates built during the reign of Ramses III in the great girdle wall that surrounds the Medinet Habu temple complex, located on the west bank of Luxor. It was first investigated and recorded in 1930/31 by Uvo Hölscher...