Digital Epigraphy (Second Edition)

Publications

Chapter 5, Section 1 - Capturing Data

Written by Krisztián Vértes

As we discussed earlier, the initial version of our digital documentation is prepared at the archaeological site, in front of the actual wall. This version contains all the important data of the original artwork.

Publications

Chapter 5, Section 2 - Merging Scanned Images

Written by Krisztián Vértes

Once the image is scanned, it should be ready to work with. Ideally the photo enlargement is small enough to be scanned as one piece, and our pencil lines are strong enough to be visible while inking.

Publications

Chapter 5, Section 3 - Setting Up the Layers

Written by Krisztián Vértes

Now that photo manipulation, workspace customization, and the layer-based environment don’t seem to be such alien concepts anymore, we have to deal with the task of producing actual drawings.

Publications

Chapter 5, Section 4 - Inking Digitally

Written by Krisztián Vértes

Once our layers are set up, our drawing is ready for inking. First, we have to open the Brush tool and set up the Epigraphic Survey’s standard brush stroke sizes: