• newsletter
  • instagram
  • facebook
  • youtube
  • News
  • Reviews
  • Tutorials
  • Tools
  • Projects
  • Publications
  • Reading
  • Events

Plate IX. a. Qar, Court C, west wall, relief block in situ

Plates January 04. 2022

Plate IX. a. Qar, Court C, west wall, relief block in situ (Click to Enlarge)

Occurence(s):

  • Qar Approach Stairways (A-B) (Footnote 2)   
  • Qar Court (C)
Back to Gallery
Giza
Mastaba
Qar and Idu

HELP US BY DONATING

digitalEPIGRAPHY is an educational hub for Egyptologists, artists, illustrators, designers, and anybody who is interested in knowing more about digital documentation techniques applied to ancient Egyptian monuments.

Our goal is to provide digital documentation solutions for our colleagues working in the field or at home and to present up-to-date information about the latest methods, trends, and tools utilized in digital epigraphy.

To help our endeavor, we ask you to consider a one time or monthly contribution.

Donate now

$3 $5 $10 $20
$ Other amount
$3/m $5/m $10/m $20/m
$ Other amount
Secure

Your payment details will be processed by Stripe (for fixed amount) or PayPal (for other amount), and a record of your donation will be stored by digitalEPIGRAPHY.

COMPLEMENTARY MATERIAL

Image Gallery

3D Model Collection

Painted Hieroglyphs Database

SEARCH THE COLLECTION

Search for terms such as Sign Number (G17), Description (Owl), Date (New Kingdom), Source (Tomb), Provenance (Thebes), Appearance (Polychrome, Finished), Colors (Red, White)

Upload your own

Visual Documentation Database

SEARCH THE COLLECTION

Search for terms such as Provenance (Thebes), Type (Tomb), Period (New Kingdom), Presentation (Digital), Decorative style (Painted), Decorative content (Image), Misc. content (Damage), Relief treatment (Sun-and-shadow), Paint treatment (Pattern fill).

Upload your own

Latest Reviews

Grand Aspirations in a Slim Package – Huion Kamvas Pro 24 (4K) Pen Display Review
Digital Inking on the Move Part 1 - XP-PEN Artist 12 2nd Generation Review
(Nearly) Uncompromised Digital Inking on the Budget – Huion Inspiroy Dial Q620M
Xencelabs’ Quick Keys Remote Promises a More Streamlined Workflow for Digital Artists
XP-PEN matures its artist pro line with usability upgrades, radical design changes and renewed focus on quality (Part 2) – Artist Pro 24
XP-PEN matures its Artist Pro line with usability upgrades, radical design changes and a renewed focus on quality (Part 1) – Innovator 16
Adonit’s brand new Note+ offers a lot of functionality for a reasonable price as long as you have the app for it
PaperLike 2 matte screen protector to provide a much-improved drawing surface on the iPad
A budget friendly drawing display packed with features: XP-Pen Artist 15.6 Pro (Holiday Edition)
Photoshop, dragged down by lackluster features, finally arrives to the iPad – Hands-on with Adobe’s long-awaited creative tool
more

Latest Tutorials

Let's Talk About… …Sun and Shadow - A Fundamental Update on Drawing Drop Shadow Transitions in Photoshop
Tidbits of the Digital Chicago Method Part 7 – Introducing the Survey's New Sun-Shadow Brushes
Photoshop one-on-one – How to remove the background of scanned artworks in preparation for a digital takeover
A Photogrammetric Triple Constraint: Time, Distance, Camera Cost
On Developing a Digital Collation Process for the Epigraphic Survey’s Current Digital Documentation Projects
Photoshop One-on-one – General functions and a specific use-case of the updated Warp Tool
The most useful new features of Photoshop CC Part 3 - Saving brushes with their attributes
Physically based rendering (PBR) of Egyptian collection at Brooklyn Museum
Tidbits of the digital Chicago method Part 6 - Initiating selections and transformations in Procreate
Let's talk about... damage - representing discontinuity of decorative surfaces
more

Latest Publication

The Mastabas of Qar and Idu G 7101 and 7102 - Digitally Revised and Enhanced Edition by William Kelly Simpson

The chapter by chapter web version of the book, The Mastabas of Qar and Idu, written by William Kelly Simpson in 1976, with contributions or drawings by Dows Dunham, Suzanne Chapman, Hansmartin Handrick, Alexander Floroff, Timothy Kendall, Nicholas Thayer, and Lynn Holden. Based upon the excavations and recording of George Andrew Reisner, Alan Rowe, William Stevenson Smith, and T. R. D. Greenlees. Museum of Fine Arts-Harvard University Expedition.

more

LATEST COMMENTS

The Temple of Deir el Bahari – The epigraphic work of Howard Carter
Evolution of Epigraphy - James Henry Breasted’s Experiments with Technology to Create the Chicago House Method
Evolution of Epigraphy - James Henry Breasted’s Experiments with Technology to Create the Chicago House Method
digitalEPIGRAPHY's New Databases for Painted Hieroglyphs and Visual Documentation Are Here!
Grand Aspirations in a Slim Package – Huion Kamvas Pro 24 (4K) Pen Display Review
Documenting "Yellow" Coffins from Bab el-Gasus
(Nearly) Uncompromised Digital Inking on the Budget – Huion Inspiroy Dial Q620M
Artstudio Pro by Lucky Clan – a cheap Photoshop/Procreate alternative worthy of your attention
The most useful new features of Photoshop CC - Using the Curvature Pen Tool for digital inking
Let's Talk About… …Sun and Shadow - A Fundamental Update on Drawing Drop Shadow Transitions in Photoshop
more
About usPrivacy PolicyCookies PolicyImage Gallery3D Model CollectionTagsForum

The Epigraphic Survey, Oriental Institute, University of Chicago, based at Chicago House in Luxor, Egypt, is directed by Dr. W. Raymond Johnson, Research Associate Professor of the University of Chicago and the Oriental Institute. The mission of the Survey since 1924, in partnership with the Egyptian Ministry of Antiquities, includes the facsimile documentation of reliefs and hieroglyphic inscriptions on ancient Egyptian monuments through photography and precise recording techniques (line drawings, digital imaging, etc.), as well as appropriate conservation and restoration work, in an effort to preserve the cultural heritage of Pharaonic civilization.

The Oriental Institute was founded in 1919 by James Henry Breasted and was originally envisaged as a research laboratory for the investigation of the early human career that would trace humankind’s progress from the most ancient days of the Middle East. The goal of the Oriental Institute is to be the world’s leading center for the study of ancient Near Eastern civilizations by combining innovation in theory, methodology, and significant empirical discovery with the highest standards of scholarship.

digitalEPIGRAPHY
digitalEPIGRAPHY
All contents © digitalEPIGRAPHY & THE EPIGRAPHIC SURVEY
DEVELOPED BY: Groteszk Kreatív Társulat - webfejlesztés, webdesign Groteszk Kreatív Társulat