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Image Gallery

instagram-gallery/The Epigraphic Work of Howard Carter
instagram-gallery/ The Outer Coffin of Amun's Priest Nespaperennub, as Digitized by the
instagram-gallery/Color coded greyscale drawing detail from TT 179 showing part of a large pile of offerings
instagram-gallery/Digitally Inking the Mastaba Architrave of Old Kingdom Scribe, Idu
instagram-gallery/Photoshop Shortcut Solutions with a Twist - Two Recently Released Accessories from Huion and Xencelabs
instagram-gallery/The Palace Area at Medinet Habu in the 1920's During Ransom Wiliams' Chicago House Occupation
instagram-gallery/Digital Watercolor Applied in Procreate to Create a Visual Reconstruction of the Original Ptolemaic Paint Pattern
instagram-gallery/Anonymous Outer Coffin from the Cache of Bab el-Gasus in the Visual Interpretation of Rogério Souza
instagram-gallery/Documentation Work and Digital Collation in Progress in the Tomb of Djehutihotep, as carried out by Marleen De Meyer and Toon Sykora
instagram-gallery/A method developed for faded pigment representation by the Epigraphic Survey involves Derwent pencils
instagram-gallery/Epigrapher Toon Sykora Creating a Digital Pencil Drawing on the iPad Pro Using Procreate
instagram-gallery/John Gardner Wilkinson, Aged 46, in Turkish Dress as Painted by Henry Wyndham Phillips (National Trust, Calke Abbey)
instagram-gallery/Detail of an Offering Bearer Holding Two Birds (Shrine in the Rear Wall of the Tomb of Djehutihotep)
instagram-gallery/Inking a square pillar representation over photo enlargement following the Chicago House Method
instagram-gallery/ The Famous Dragging of the Colossal Statue on the West Wall of the Rock-cut Chapel of Djehutihotep
instagram-gallery/On the Occasion of digitalEPIGRAPHY's Hundredth Instagram Post
instagram-gallery/The North Hill of Dayr al-Barsha with the Tomb Entrance of Djehutihotep
instagram-gallery/Sun-Shadow Areas on Raised Relief in Extreme Raking Light Conditions Provided by Reflectance Transformation Imaging
instagram-gallery/Upper Part of Sitkheperka, Daughter of Djehutihotep, Watercolor by Marcus W. Blackden ca 1891, Dayr al-Barsha
instagram-gallery/Owen Murray Photographing LD 177 at Luxor Temple Using a Large Format Camera with a CFV-50c Digital Back and Strobe Light
instagram-gallery/Digital Texturing Over Temple Walls in the Small Amun Temple at Medinet Habu Using Procreate
instagram-gallery/Pencil representation of a faience shabti from the mortuary complex of Senwosret III
instagram-gallery/Panoramic view of the Roman Ambulatory with the Digital Drawings Superimposed over Wilkinson's Watercolor Image
instagram-gallery/Charles F. Nims, Douglas A. Champion, and George R. Hughes of the Epigraphic Survey Checking and Correcting Copies of Text and Reliefs at Medinet Habu
instagram-gallery/Adding Ornamental Pattern to a Garment Medallion on the South-West Wall Based on Wilkinson's Watercolor Painting
instagram-gallery/Carmen Ruiz Sánchez de León Creating In Situ Pencil Drawings Using Procreate on the iPad Pro
instagram-gallery/Greyscale Fresco Texture Merged With the
instagram-gallery/Tracing Upside Down Relief Fragments Originated From the Earlier Khonsu Temple in the Karnak Precinct Using Clear Acetate
instagram-gallery/Greyscale texture drawing superimposed over the background photo to enhance all visible details on the Roman murals
instagram-gallery/Drawing on the OGAWA Leband Sit-Stand Desk Extension
instagram-gallery/Close-up Showing the Photoshop Texture Brush Developed for Representing the Painted Remains of the Late-Roman Murals at Luxor Temple
instagram-gallery/P. Turin Cat. 1906 Verso Result After Being inked by Elena Luise Hertel Using a Wacom Tablet and Photoshop
instagram-gallery/Astropad Studio Functioning as a Bridge Between Tablet and Laptop While Documenting the Late-Roman Murals at Luxor Temple
instagram-gallery/West Wall of the Chapel with the Seated Statues of Tomb Owner Djehuty and his Progenitors, Theban Tomb 11
instagram-gallery/Traditional Penciling on Photo Enlargements in Order to Document the Faded Late Roman Murals at Luxor Temple
instagram-gallery/Júlia Schmied Registering Loose Door Fragments in the Medinet Habu Blockyard
instagram-gallery/Color Film Photograph of a Test Cleaning Area on the Late-Roman Fresco Taken by Survey Photographer Yarko Kobilecky
instagram-gallery/Facsimile Penciling on Mylar in Theban Tomb 179
instagram-gallery/Different renderings of a roman fresco mock-up area to test out various epigraphic representations
instagram-gallery/Creating the Survey's New Sun-Shadow Brushes Using Photoshop's Shape Dynamics Brush Setting
instagram-gallery/Documenting and Reconstructing the Late Roman Murals in the Roman Vestibule at Luxor Temple
instagram-gallery/Painted Hieroglyphic text from TT 179, the early Eighteenth Dynasty tomb of Nebamun (detail)
instagram-gallery/Abydos cat Zetuna watching Krisztian tracing a Ramesside column drum
instagram-gallery/Documenting and Reconstructing the Late-Roman Murals in the Imperial Cult Chamber at Luxor Temple
instagram-gallery/Announcing the new Painted Hieroglyphs and Visual Documentation databases
instagram-gallery/Painted hieroglyph representing a newborn bubalis (iw) from El-Khokha, Thebes
instagram-gallery/In Memoriam Gábor Schreiber (1974-2020)
instagram-gallery/Inking a 15 meter long life-size facsimile drawing from TT 65, the Theban tomb of Imiseba
instagram-gallery/Faces created by using different digital documentation techniques: from the Chicago House method to Roman fresco texturing
instagram-gallery/Adding specific patterns from a historic watercolor image of a saddle to the roman fresco reconstruction at Luxor temple
instagram-gallery/Dominique Navarro penciling the Taharqa Gate on photo enlargement at the Small Amun Temple in Medinet Habu
instagram-gallery/A short note on digitalEPIGRAPHY's Second Anniversary
instagram-gallery/Inking in Photoshop tethered to the iPad by Astropad-Studio using Adonit’s brand-new Note-M stylus
instagram-gallery/Nebamun's pet dog appearing underneath his chair in TT 179, color-coded greyscale representation
instagram-gallery/Creating the digital equivalents of Derwent artist pens using Photoshop
instagram-gallery/Creating a facsimile pencil drawing on tracing paper in TT 179, using separate sheets for multiple layers of information
instagram-gallery/Working on a large-scale multilayered, color-enhanced epigraphic project using XP-PEN's brand new Artist Pro 24
instagram-gallery/ Severely damaged wooden coffins and jars, filled with ceramics, textiles and natron in KV 63
instagram-gallery/Life-size, fully modelled and shaded representation of a small clay figurine head from South Abydos
instagram-gallery/Tracing painted hieroglyphs on one of the architraves in TT 65 using transparent paper sheets and graphite pencil
instagram-gallery/Painted details, preserved on a reused early Ramesside block at Khonsu Temple, represented in color
instagram-gallery/Penciling the Achoris columns on Wacom's Companion tablet PC in the Small Amun Temple at Medinet Habu
instagram-gallery/The absolute minimal setting for a mobile art studio: XP-PEN Innovator 16 with Mac Mini and a Bluetooth keyboard
instagram-gallery/Fragments from the collapsed sandstone gate of vizier Nespakashuty's Saite private tomb, waiting to be assembled
instagram-gallery/Digital recording of faded color traces on certain slab stela originated from the Giza Plateau
instagram-gallery/Inking the first panels of the Survey's Roman fresco drawings in the studio using a Wacom drawing display
instagram-gallery/Painted details on MHB 95, a raised relief square pillar face in the Ambulatory of the Small Amun Temple at Medinet Habu
instagram-gallery/Representing negative space with texturing in the Apse of the Emperor’s Chamber at Luxor Temple
instagram-gallery/Applying digital 3D techniques in the documentation of the Western High Gate at Medinet Habu
instagram-gallery/Documenting the painted decorative surfaces on the ceiling in TT 65, the late-Ramesside private tomb of Imiseba
instagram-gallery/Tracing Nebamun's
instagram-gallery/Creating the special “lifting-up” effect in Photoshop for the cover photo of the Survey’s digital penciling case study
instagram-gallery/Using Photosop’s updated Warp Tool to unravel the late-Roman Apse at Luxor Temple
instagram-gallery/Pencil drawing of a painted ceramic horse head from the Abydos Settlement Site
instagram-gallery/Digital penciling at Luxor Temple using desktop Photoshop tethered to the iPad Pro via the Astropad App
instagram-gallery/Heart amulet made of precious stone from the Mortuary Temple site of Senwosret III at South Abydos
instagram-gallery/Digital color penciling on the iPad in the Small Amun Temple at Medinet Habu
instagram-gallery/Drawing detail of the sandstone doorway from TT 312, the 26th dynasty Theban tomb of Vizier Nespakashuty
instagram-gallery/Tin foil rubbings made off invisible decorative surfaces of reused floor blocks at Khonsu Temple
instagram-gallery/Digital recording of pigment in the Small Amun Temple at Medinet Habu
instagram-gallery/Abydos Settlement Site - drawing a late period ibis jar
instagram-gallery/Digital penciling on the iPad Pro at Luxor Temple
instagram-gallery/Painted detail from the ceiling of Theban Tomb 65 representing a flock of ducks with their nests
instagram-gallery/Pencil texturing on photo enlargement documenting late-Roman murals at Luxor Temple
instagram-gallery/Color coded drawing of a TT 179 fragment from the
instagram-gallery/Digital color texturing on the iPad Pro using Procreate
instagram-gallery/Heavily modified fragment from Khonsu Temple showing the king in front of an offering table
instagram-gallery/Drawing fragments from the Osiris Temple at Abydos with assisting cats
instagram-gallery/Inking TT65 facsimiles in 1:1 using Rapidograph pens
instagram-gallery/The digitalEPIGRAPHY website
instagram-gallery/Using studio computers in the field - drawing with Astropad Studio at Luxor Temple
instagram-gallery/Drawing detail with the Amun bark's egis from the facsimile documentation carried out in Theban Tomb 65
instagram-gallery/Object drawing work environment at the Abydos Settlement Site project
instagram-gallery/Clay
instagram-gallery/Color-enhanced pencil drawing made by Derwent Artist color pencils
instagram-gallery/Experimenting with digital object drawing on the iPad Pro using the new Photoshop for iPad
instagram-gallery/Painted fragment of a toe boat from the collapsed
instagram-gallery/Reconstructing the top of a Thutmoside square pillar from the Osiris Temple area at Abydos
instagram-gallery/Copying a large Thutmoside block reused in the Khonsu Temple doorway at Karnak
instagram-gallery/Detail of the texture-based inked drawing based on the Late-Roman painted remains at Luxor Temple
instagram-gallery/Makeshift studio on a scaffolding for documenting painted remains at Medinet Habu
instagram-gallery/Wooden funerary mask from TT 65, represented on mylar using pencil
instagram-gallery/Reconstructing the collapsed antechamber of TT 179 from the smallest wall fragments
instagram-gallery/Penciling on photo enlargement at Medinet Habu using the traditional Chicago House Method
instagram-gallery/Color enhanced Derwent pencil drawing technique on mylar developed for the Small Amun Temple at Medinet Habu
instagram-gallery/Testing Adonit Note+, a legit Apple Pencil replacement for budget-conscious illustrators
instagram-gallery/Digitally inked drawing created for testing the Survey's digital Chicago House Method at Luxor Temple
instagram-gallery/Testing out Wacom's portable digital canvas, called Companion for the first time at Medinet Habu
instagram-gallery/Adding pencil texture over photo enlargements at Luxor Temple working on the Late-Roman murals
instagram-gallery/Using TourBox Controller to provide an excellent alternative regarding shortcut application in Photoshop
instagram-gallery/Color enhanced pencil drawings applied on the Osiris Temple fragments found at Abydos
instagram-gallery/Large hieroglyphic panel from Luxor Temple, digitally inked on the Wacom Cintiq 24
instagram-gallery/Desktop Photoshop tethered to the iPad for digital inking using Astropad Studio

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Painted Hieroglyphs Database

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Search for terms such as Sign Number (G17), Description (Owl), Date (New Kingdom), Source (Tomb), Provenance (Thebes), Appearance (Polychrome, Finished), Colors (Red, White)

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Latest Reviews

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(Nearly) Uncompromised Digital Inking on the Budget – Huion Inspiroy Dial Q620M
Xencelabs’ Quick Keys Remote Promises a More Streamlined Workflow for Digital Artists
XP-PEN matures its artist pro line with usability upgrades, radical design changes and renewed focus on quality (Part 2) – Artist Pro 24
XP-PEN matures its Artist Pro line with usability upgrades, radical design changes and a renewed focus on quality (Part 1) – Innovator 16
Adonit’s brand new Note+ offers a lot of functionality for a reasonable price as long as you have the app for it
PaperLike 2 matte screen protector to provide a much-improved drawing surface on the iPad
A budget friendly drawing display packed with features: XP-Pen Artist 15.6 Pro (Holiday Edition)
Photoshop, dragged down by lackluster features, finally arrives to the iPad – Hands-on with Adobe’s long-awaited creative tool
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Latest Tutorials

Let's Talk About… …Sun and Shadow - A Fundamental Update on Drawing Drop Shadow Transitions in Photoshop
Tidbits of the Digital Chicago Method Part 7 – Introducing the Survey's New Sun-Shadow Brushes
Photoshop one-on-one – How to remove the background of scanned artworks in preparation for a digital takeover
A Photogrammetric Triple Constraint: Time, Distance, Camera Cost
On Developing a Digital Collation Process for the Epigraphic Survey’s Current Digital Documentation Projects
Photoshop One-on-one – General functions and a specific use-case of the updated Warp Tool
The most useful new features of Photoshop CC Part 3 - Saving brushes with their attributes
Physically based rendering (PBR) of Egyptian collection at Brooklyn Museum
Tidbits of the digital Chicago method Part 6 - Initiating selections and transformations in Procreate
Let's talk about... damage - representing discontinuity of decorative surfaces
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Latest Publication

The Mastabas of Qar and Idu G 7101 and 7102 - Digitally Revised and Enhanced Edition by William Kelly Simpson

The chapter by chapter web version of the book, The Mastabas of Qar and Idu, written by William Kelly Simpson in 1976, with contributions or drawings by Dows Dunham, Suzanne Chapman, Hansmartin Handrick, Alexander Floroff, Timothy Kendall, Nicholas Thayer, and Lynn Holden. Based upon the excavations and recording of George Andrew Reisner, Alan Rowe, William Stevenson Smith, and T. R. D. Greenlees. Museum of Fine Arts-Harvard University Expedition.

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LATEST COMMENTS

The Temple of Deir el Bahari – The epigraphic work of Howard Carter
Evolution of Epigraphy - James Henry Breasted’s Experiments with Technology to Create the Chicago House Method
Evolution of Epigraphy - James Henry Breasted’s Experiments with Technology to Create the Chicago House Method
digitalEPIGRAPHY's New Databases for Painted Hieroglyphs and Visual Documentation Are Here!
Grand Aspirations in a Slim Package – Huion Kamvas Pro 24 (4K) Pen Display Review
Documenting "Yellow" Coffins from Bab el-Gasus
(Nearly) Uncompromised Digital Inking on the Budget – Huion Inspiroy Dial Q620M
Artstudio Pro by Lucky Clan – a cheap Photoshop/Procreate alternative worthy of your attention
The most useful new features of Photoshop CC - Using the Curvature Pen Tool for digital inking
Let's Talk About… …Sun and Shadow - A Fundamental Update on Drawing Drop Shadow Transitions in Photoshop
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The Epigraphic Survey, Oriental Institute, University of Chicago, based at Chicago House in Luxor, Egypt, is directed by Dr. W. Raymond Johnson, Research Associate Professor of the University of Chicago and the Oriental Institute. The mission of the Survey since 1924, in partnership with the Egyptian Ministry of Antiquities, includes the facsimile documentation of reliefs and hieroglyphic inscriptions on ancient Egyptian monuments through photography and precise recording techniques (line drawings, digital imaging, etc.), as well as appropriate conservation and restoration work, in an effort to preserve the cultural heritage of Pharaonic civilization.

The Oriental Institute was founded in 1919 by James Henry Breasted and was originally envisaged as a research laboratory for the investigation of the early human career that would trace humankind’s progress from the most ancient days of the Middle East. The goal of the Oriental Institute is to be the world’s leading center for the study of ancient Near Eastern civilizations by combining innovation in theory, methodology, and significant empirical discovery with the highest standards of scholarship.

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